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Event Details

Xtreme Nitelife, XMS, Hughes Hangar & The Network Present....

"SUNDANCE" Houston Music Event
Sunday, January 26, 2014
4:00 pm-1:00 am
"Houston's Own & Largest Weekly Global Dance Party"

On Sunday, January 26, 2014 "Sundance" will be featuring its unique monthly music event headlined by up & coming International DJ Producer Alex Metric.


To be announced...


Senega [Sundance]
Bizz [Sundance] 
Chris Luera [Sundance, Illicit Productions]
Tal Tager

Lighting by: Premiere Sound & Lighting


Its all about the song for Alex Metric. Whether its an original track, a remix or producing a band, there has to be a personal connection. If he doesnt feel it, why would anyone else. Its always about making something with real emotion, says the 28-year-old DJ from London. My core philosophy is to do whatevers right for the song and to try and make it have some meaning to me. I put so much love into everything I do.

You can tell. Alex's album for Virgin, Open Your Eyes', collates all three strands of his music output his own productions such as his recent single Open Your Eyes , those for other people, see Black Sky by Infadels, and most importantly of all, the best of the string of remixes that have made his name over the last two years. Its a varied but far from disparate collection. A common thread, that sense of communicating genuine feeling, runs through the album, making sense of the different elements.

It opens with Alexs version of Lisztomania by Phoenix, which transforms the winsome indie dance groove of the original into a dancefloor gem of juddering electro house bass and an explosive vocal-driven chorus built around the line These days Ive got to be someone else. Its his favourite remix, not least because they are his favourite band. Nine times out of ten I get asked to do remixes, says Alex. Theres only twice in my career that Ive asked a band if I can remix them. I heard Phoenix had a new album out. Id met Phillipe Zdar in Ibiza a few times. I knew he was producing the record. I e-mailed him and said that it would mean so much to me to do the remix. Turns out its the bands favourite remix ever as well. That was a real pinch yourself moment, says Alex. Other stand out remixes include the hands-in-the-air house rework of Quicksand by La Roux, a disco take on Stylo by Gorillaz and his faithful but cleverly done dancefloor tweak of Personal Jesus by Depeche Mode.

Of the original tracks, Alex points to End Of The World, one of the brand new stand-out tracks from the album, as a personal favourite. Up-and-coming singer Charlie XCX supplies the vocals. It was originally supposed to feature on her album, but it was so good Alex wrestled it back off her. Its something of a departure. Its quite a sad song, not a club record at all, he says. Its like nothing Ive done before. Then theres the soaring epic house of Open Your Eyes, his collaboration with Steven Angello from Swedish House Mafia, as representing where his head is at. It doesnt sound like anything Ive put out before, he explains. Its an odd record, seven-minutes of waiting for it all to kick in and it doesnt happen until the very end. I was conscious while I was making it that I could have had the piano riff all the way through and it would have worked and it would be successful. But I wanted to see what I could do to flip it on its head. I didnt what to do the obvious. It begs the question: why not? Because Im not interested in doing the obvious. Theres a view that dance music is disposable. People dont see it as anything other than something for people on drugs to dance to. For me thats not the case. Just because its an electronic record that gets played in clubs it doesnt mean you cant make a statement.

Which is why the vocal version of Open Your Eyes featured Ian Brown, one of Alexs heroes. I grew up on the big dance acts from the 90s, he says. People like The Chemical Brothers, who brought people in from different worlds to sing on their tracks. Again, he says the obvious thing to do was get a wailing house diva and take the cheque the bank, but he wanted to get someone he loved involved. As a teenager, he was obsessed with The Stone Roses. To have Ian Brown walk into the studio was pretty mental, he beams. And he gives it a totally different feeling to the standard house vocal.

Of his productions for other people, Black Sky by Infadels is his proudest moment. I ended up producing the whole album because they liked that track so much, says Alex. Producing bands is something I want to do a lot more of. You can get lost doing your own stuff because you become attached to things. With a band theres no emotional attachment to any part of the song. You can just go: I like that, I dont like that, that arrangement needs re-doing. Great.

Producing other peoples records is a grown-up dream, but even as a teenager in Salisbury it was something Alex wanted to do. He could sing and learnt the keyboard at an early age, but was never in a serious band. I didnt feel like I knew how to do anything well enough, he shrugs. A formative experience was listening to Golden Slumbers by The Beatles when he was 15. At the start of the track, I could hear a synth that wasnt there, he says. I started wondering how you could put it there. Initially an indie kid, his conversion to dance music came when he once missed the bus home. He decided to kill some time in a record shop. Fat Boy Slims 1996 album Better Living Through Chemistry was playing at one of the listening posts. I was blown away. There were guitars, these big broken beats and this mad energy. I bought it there and then. It was a massive turning point.

After studying music at college in Guildford, Alex released a string of singles on a series of small dance labels, a mix of progressive house, breakbeat and techno. His break came in 2006 when he signed to Adam Freelands Marine Parade label. Id been making proggy, breakbeaty stuff and I was doing OK at it, he remembers. But one night I was DJing in Russia and I realised right there on stage that I didnt like the records I was making. I had an epiphany. I thought: Whats the music I love? French house, rock music, electro. Why dont I chuck everything I love into one record. The result was his 2007 single Whatshewants release on Marine parade, the starting point on the journey to where he is now, one of dance musics most exciting new talents.

He sees Open Your Eyes' as a summary of the last two years, but also the start of something new. Hes already working on his full artist album. Actually, its his second, but he canned the first one because he didnt think it was good enough. There are two sides to me, he says. I have this love of 80s synth funk, but also this epic, tears of MDMA joy sound. The unreleased album was the former, but the latter defines him now. Because I put my heart and soul into my remixes, they havent dated. Thats really important to me, that they dont date like a lot of dance music does. he says.

He pauses. For the last year Ive been figuring out how I want to sound. Its all clicking. I think its important to figure out what you want to say before you say it. Now I have and it feels fantastic.

Sounds pretty good, too.


2 Areas to Party
Bottle Service Cabanas Available
Massive DJ Line-Up
Houston's Hottest Hosts
Full Menu
Sexy Sundancers GoGos

Hosts || George Salas, Donovan, Navid, John Floyd, Bizz, Senega & the Hughes Hangar fam

21+ Fashionable Attire

Hughes Hangar Speakeasy Gastro Lounge
2811 Washington Ave., Houston, Texas 77007

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Hughes Hangar

2811 Washington Ave, Houston, TX, 77007

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Alex Metric